Mona Vale Pool, NSW
Cambo Actus DB2, Phase One IQ4 150MP, 450mm Fujinon-C f12.5 lens - f12.5, 30 seconds, ISO 50
A few weeks ago, I posted a photo taken in my 'back yard' and divulged my New Year's resolution - to create an exhibition of the Northern Beaches where I live. Well, it's March and I'm still going. I have five images up on my pin-board at the office/studio, one of which you can see above, and another which was posted on a blog back in January.
But I know what's going to happen. Or should I say, I hope what I know is going to happen does happen, because that means I'll be travelling again! Yes, as soon as I start travelling, the spare time I'm using now will dry up. And I have other excuses, too! Last week when I ducked out for a sunrise shoot in between rain squalls, I hit a pot hole (well, the car did) which split the side-wall of my tire. It was just a slow leak, but now I'm waiting for a replacement (although the wife will kindly lend me her wheels as long as I'm more careful).
So, lots of excuses, but I figure by going public, it will be harder to stop and hopefully, by the end of this year, I will have a portfolio done and dusted.
Enough about me, what about this photo? It's a 'cover', meaning I shot it many years ago with my Canon gear. I never had a lens long enough to shoot it on medium format, but all that has changed with some recent purchases. I have been on eBay, searching for large format telephoto lenses that are also light to carry around. The little Fujinon-C is tiny, but it does require an extension rail and a long bellows to focus - scroll down to the bottom of the article to see the camera in situ.
The timing is just on sunrise, so the warm light catches the side of the pool. Yes, it could have been done in post-production, but I like working with what is there. (I said I like working with what is there, but I didn't say I wouldn't put something in that wasn't there if I thought it needed it!)
Of course, the post-production techniques I'm using include selective blur and texture screens, so why would I want a medium format capture? The answer is because the area surrounding the pool is tack sharp, the point of contrast with the soft waves breaking all around.
In some ways, this is a cheating a little, but I remember last time I shot this location I made a mental note about needing more swell - and hence more swirling water around the pool. I think this version has everything I want!
The Cambo Actus DB2 with the tiny 450mm Fujinon-C lens in position. It's a fraction the size and weight of the 600mm Nikkor it replaces - and in terms of carting things around, that's a good thing!