Almost Weekly Photo

Bhutan's Remote Phobjikha Valley

Early morning, Phobjikha Valley overview, BhutanPhase One XF 150MP, 110mm…

Refine, Refine, Refine

Foyn Harbour Weather Study #3, Antarctica 2020Phase One XF 150MP,…

Mastering The Photography of Trees

Water gums from Paul Curtis's book, The Heritage of Trees.…

Love The One You're With

Tree in Mist, Above Sofala, NSWCambo Actus-DB2, Phase One IQ4…

While there is no shortage of photo tours on the Better Photography website, I’m aware that there are a lot of other opportunities out there – including some I’d probably take myself given the chance!

For instance, legendary Ted Grambeau (who has featured in Better Photography magazine before) and Phil Thurston have teamed up with Foto Frenzy to present a Surf Ocean Lifestyle Masterclass, ideal for budding surf photographers and Instagrammers wanting to break into this line of work. It would also be a lot of fun for any photographer interested in shooting surf and lifestyle and, even better, you have to put up with the wonderful Bali weather and surf to do it! It’s on April/May this year and Details can be found at

Down south on Bruny Island, Tasmania, at the end of March, you can be inspired by Richard Bennett, Phil Kuruvita, Ian van der Wolde and Bruce Pottinger. Bruny Island is a favourite of mine with some amazing landscape to shoot – and you won’t get better instructors anywhere. They will even help you sample some red wine, I’m told!

The program is varied, but you’ll be spending most of your four days shooting the incredible landscapes. You can find details on all the speakers’ website – so try Richard’s at

If a seated seminar is what you’re looking for, check out the Aperture Australia Photography Conference which is to be held 22-23 June at the Sydney International Convention Centre. Speakers include Ami Vitale, Christian Fletcher, Tamara Dean, Stephen Dupont and Ray Collins and it will be hosted by Ray Martin.

The 2018 event was a great success and 2019 is shaping up to be better still. Better Photography can offer readers a $150 discount if they use the coupon code BETTER150. For more details, visit

I’m always struggling to work out what camera gear to take. And invariably, I wish I took something else, although I am becoming better (meaning, I rationalise my poor decisions more effectively).

Travelling to Antarctica is a photo opportunity you don’t want to skimp on. Although I’ve been fortunate to visit several times, each voyage is different and it’s just like visiting for the first time – I don’t want to miss a single shot.

The first step in working out what gear to take is to decide what types of photos you’d like to come home with. I wanted to shoot fully detailed landscapes for large prints and books (so I needed medium format); I wanted to capture the wildlife, so I needed a DSLR or mirrorless camera, and I wanted to shoot some video – so again, a DSLR, mirrorless or POV camera.

Once I’d worked this out, it was a matter of deciding what equipment to take. For medium format, I essentially took everything: Phase One XF camera body with IQ3 100MP Trichromatic back, 35mm, 55mm, 110mm and 240mm lenses. I also took the Phase One A-Series with a standard 100MP back and a 23mm ultra wide-angle lens. And my NiSi 100mm filter kit works for all the lenses, except the 240mm.

For the first time, I took a mirrorless system for wildlife. I was suitably impressed with Fujifilm’s new X-T3 and its much improved autofocus speed and precision. I added in an X-H1 body, 8-16mm wide-angle, 200mm f2.0 telephoto (there’s a 1.4x teleconverter somewhere too) and a 35mm f1.4. This allowed me to shoot both stills and video, and it was lighter and more versatile than medium format.

However, I’m also enjoying the GoPro camera because it’s so small, waterproof and it can fit in any pocket. I have two of these, one on a gimble for smooth motion footage. And then I have my Sandisk storage cards (both CF and SD), plus my back-up drives which comprise LaCie’s Rugged 2TB, the DJI CoPilot and the new Portable SSD.

Now, before you wonder how I fit all this into one camera bag, I didn’t! I had two bags. I took a waterproof SKB hard case which has a backpack inside it. This allowed me to transport my cameras (but not all at the same time) from the ship to land in safety, and once on shore, I could leave the case behind and use the backpack. My biggest challenge was deciding what gear to take with me each time we went out!

For the flights to and from the ship, it meant  I could pack the large 200mm and a few other lenses and bodies inside the backpack, suitably padded with clothing, and then I placed this in my suitcase with further padding. The hard case came along as well, holding boots, tripods and other things that could get lost by the airlines if absolutely necessary!

The rest of my gear was in my standard camera backpack. When I travel, I work out what I can’t do without if my luggage gets lost – and take that with me as carry-on.

I hear that the airlines are looking to crack down on carry-on luggage. I don’t think they’re targeting photographers, rather people who seem to carry everything including their kitchen sink! Probably best to keep a low profile with our gear!

If you're interested in joining me on a voyage to South Georgia and/or Antarctica, check out the website for options in March and November 2020.

Hamadan Taxi Driver, Iran.
Canon EOS 5DSR, 70-200mm lens @ 200mm, 1/400 second @ f2.8, ISO 100

New York is known for its yellow taxi cabs and no doubt they are prevalent in many other cities around the world, but I'd suggest few cities have as many yellow taxis as Hamadan in Iran. On our photo tour, Nuran Zorlu and I spent a few hours loitering in the Hamadan's busy centre with our band of adventurous photographers. The Imam Khomeini square boasts a rich but decaying circumference of elegant building facades, with a hurried, bustling congestion below. Crossing the road to the park in the centre of the square was not without its challenges!

Nuran had suggested that Imam Khomeini square was a great place to sit down and observe life, but we weren't sitting very long before we found ourselves the centre of attention, with plenty of opportunities to photograph the people.

What struck me was the number of taxis, either in transit as a laneless melee around the park, or waiting in long lines for fares. The challenge was to capture them as a part of daily life. For the street scenes, I found a wide-angle lens allowed me to get close to the taxis as they whizzed past, placing them in the foreground and retaining the building facades behind.

As I stood on the roadside, I noticed how every taxi had its own sub-plot inside, the life of the driver and maybe his passengers, so I switched to a 70-200mm zoom and lowered my camera height. This let me look across the road into the taxis and at the driver.

On occasion I was discovered by the drivers, but never castigated. Perhaps it was because I was obviously a foreigner and somewhat of a novelty in a country that has recently re-opened its borders for general tourism.

There's no doubt this taxi driver knew I was there!

Note: Peter Eastway and Nuran Zorlu have another trip to Iran booked for April this year.  After a couple of cancellations there are now some spots left....!

Click here for all the details of the April 2019 trip on the Better Photography website or email Kim - This email address is being protected from spambots. You need JavaScript enabled to view it..

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