Open menu
  • Subscriptions
  • Photo Tours
  • The New Tradition
  • Menu
  • Login
    • Better Photography Education Website Info

      If you are already a subscriber to Better Photography or one of our many other courses, you'll need to login at our sister website, www.betterphotographyeducation.com. Yes, it's a little confusing - and you should complain bitterly to our editor about it! However, in the meantime, click on any of the links in this panel to be taken directly to the Better Photography Education website where your reading and viewing material is awaiting your return!

      Click here to visit the Better Photography Education Website

  • Home
Slide 1
Don't Miss Out!
THE NEW TRADITION BOOK

Peter Eastway's inspirational photography book, full of ideas and techniques - guaranteed to improve your photography. Take $30 off with coupon code TNT30
Full details and sample pages available here.

Slide 2
Great Landscapes
TECHNIQUES FROM A MASTER

Peter Eastway shares his capture and post-production skills in an extensive MasterClass. Learn at your own pace, online or download. And take 50% off with coupon code NEWS2021

Slide 3
The Ideas Library
BETTER PHOTOGRAPHY MAGAZINE

Four times a year, Better Photography magazine will give you an injection of ideas, inspiration and techniques! Support us by subscribing now - and get immediate access to our archive of over 50 magazines!
Get 40% off with coupon code BPFORTY

Cleric on the move, Yazd, Iran
Fujifilm X-T3, Fujinon XF8-16mmF2.8 R LM WR, f4.5 @ 1/1900 second, ISO 160

Watching television over the weekend, I tuned in on a documentary following some bloke in a business shirt travelling through Iran to Russia. When I first tuned in, I thought I recognised one of the locations - and indeed I did. I've had two great trips to Iran with Nuran Zorlu and I still remember the wonderful warmth and hospitality of the Iranian people we met. I really hope the current political issues get sorted out quickly and we can travel there again.

So, looking for a photo to discuss this week, I reviewed my edits of Iran. I have 189 images in my 'Iran Edits' folder, courtesy of my down time during lockdown. Some photos are simple edits of paper and wall surfaces with a view to using them as textures, but most of the files are processed out of Capture One or Lightroom with a few adjustment layers or adjustment brushes. They are 'preliminary edits'. The next step is to design them into a book and once I've worked out which photos I'm going to use, then I'll do the final edits.

The image above of a cleric walking through a mosque courtyard in Yazd caught my eye. I have processed two versions. Once I found the location and set up the photo, I spent maybe 15 minutes waiting for different people to walk by. When they did, I pressed the shutter multiple times to best capture their walking stance. I like this one better compositionally  because the cleric is walking into the space, whereas in the other version, he is past the centre line. Why process both? The sweep of his cape looks better in the second shot, so if I'm feeling keen, I could move the cleric back a bit - but that involves quite a bit of work.

Processing the image involved perspective correction and although you may look at the edges of the arch and think they are not quite square, chances are that's correct because this building is probably a thousand years old and it might not be vertical in reality! I'm not excusing my excellent technique, I'm just explaining that there are other vertical lines in the photo that also needed consideration and what you see is my best compromise!

In terms of tonal control, the preliminary edit in my folder was too light. While it had lots of great detail in the shadows, the colour and tone appeared washed out and so a curves adjustment layer was added in. The resulting darkening also blocked up the shadows, but as it's mainly brickwork, I don't need all the detail and I'm happy with the hint remaining. 

Finally, there were a couple of tourists on the other side of the quadrangle, so I arranged for their removal, politely of course! That is one of the great things about the digital workflow and travel photography. I no longer worry about problems in the background because I know most of the time they can be solved in post-production. Photography, as always, is a process of capture followed by post-production.

S5 Box

Login

If you're having trouble logging in, you might be on the wrong site! To see your subscriptions, log in at: www.betterphotographyeducation.com.

S5 Register