Monk, Mongar Dzong, East Bhutan
Phase One XF IQ4 150MP, 110mm Schneider, f2.8 @ 1/125 second, ISO 1600
Black and white strips out reality. It's a bold statement perhaps, given the history of photography itself begins with monochrome (and the photo above isn't strictly speaking black and white, rather a sepia tone). However, most of us see in full colour and so when we look at colour photographs, there's an element of expectation involved.
In the photograph above, colour would completely change the myth and mystery surrounding the portrait. The bright, gaudy yellow tent we are in is throwing sunshine colours all around, the monks are dressed in brilliant crimson, the ornamentation in the ceiling has every colour of the rainbow. The scene is festive, exciting and alive, yet amongst it all, the monk is poised pensively, quietly looking past the photographer (me) at something behind. Some of the other monks are looking too.
To concentrate on the monk and his expression, I felt that I needed to remove the colour. I wanted to reduce the image to just the key points, but without removing the context. Black and white does a lot of this. Darkening the surrounding figures and blurring them slightly helps as well, but it is the monochromatic rendition that does most of the work.
Fingers crossed we can get our tour to Bhutan happening next year - it's a wonderful place to visit.