Almost Weekly Photo

Back In Bolivia

Cocoi Heron, Rio Yacuma, BoliviaFujifilm X-T3, XF100-400mmF4.5-5.6 R LM OIS…

Fashion In Bolivia

Three women, Tiwanaku Ruins, Altiplano, BoliviaPhase One A-series 150MP, 23mm…

A Little Sharpening Still Helps

Glacial Textures, Iceland. Phase One XF IQ150, f3.2 @ 1/2000…

Three women, Tiwanaku Ruins, Altiplano, Bolivia
Phase One A-series 150MP, 23mm Alpagon, f11 @ 1/250 second, ISO 50

As you read this, the future of travel in our COVID world is looking better, but not getting any closer and it seems that some areas are struggling to free themselves from restrictions. This is disappointing on many levels and my best wishes go out to readers who are still stuck in isolation. I know we're all thinking of you.

In Sydney where I live, we're currently able to move about quite freely within New South Wales - and even over to South Australia. However, my diary is the emptiest it has been for a couple of decades, so I'm spending my extra 'free time' reviewing previous trips and processing the files I have been meaning to attend to for way too long.

And I'm loving the process.

Having spent a little time on my USA and Icelandic aerials, I'm taking a break, but staying at high altitude and moving over to the Bolivian Altiplano and Copacabana. Most of the images so far are not landscapes, but environmental or travel portraits. The image here might not be considered a portrait, but let's not worry too much about semantics! What's not to love about the colourful clothing and delightful hats the women wear. If I were a Bolivian photographer, it might just be normal life and perhaps not nearly so engaging, but for readers in most other parts of the world, the styles and designs are captivating.

We photographed these three ladies seated and after exchanging pleasantries, they walked away which is when I took this photograph. In many ways, it's doing everything 'wrong' by shooting into the light, but our cameras have such great latitude these days it's not difficult to bring out the colour and detail with the shadow slider. And I guess that's my message or tip: when you think a shoot is over, keep your camera turned on as you never know what might happen. And when it comes to people, once they think the camera has been put away, they can relax and offer you even better images.

For those reading the newsletter or on the website, I'll include the raw file for comparison purposes. You'll see that I have cleaned up a few stray tourists and a communication tower, simplifying the composition.

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