Open menu
  • Subscriptions
  • Photo Tours
  • The New Tradition
  • Menu
  • Login
    • Better Photography Education Website Info

      If you are already a subscriber to Better Photography or one of our many other courses, you'll need to login at our sister website, www.betterphotographyeducation.com. Yes, it's a little confusing - and you should complain bitterly to our editor about it! However, in the meantime, click on any of the links in this panel to be taken directly to the Better Photography Education website where your reading and viewing material is awaiting your return!

      Click here to visit the Better Photography Education Website

  • Home
Slide 1
Don't Miss Out!
THE NEW TRADITION BOOK

Peter Eastway's inspirational photography book, full of ideas and techniques - guaranteed to improve your photography. Take $30 off with coupon code TNT30
Full details and sample pages available here.

Slide 2
Great Landscapes
TECHNIQUES FROM A MASTER

Peter Eastway shares his capture and post-production skills in an extensive MasterClass. Learn at your own pace, online or download. And take 50% off with coupon code NEWS2021

Slide 3
The Ideas Library
BETTER PHOTOGRAPHY MAGAZINE

Four times a year, Better Photography magazine will give you an injection of ideas, inspiration and techniques! Support us by subscribing now - and get immediate access to our archive of over 50 magazines!
Get 40% off with coupon code BPFORTY

Capitol Reef
Phase One A-Series with 150MP IQ4, 23mm Alpagon lens

Camera manufacturers provide us with warnings when our exposures are too light or too dark. We can often set our LCD screens and even our editing software to blink at us if we have areas of pure white or pure black. 

This is good information to have because, generally speaking, we want to have some blacks and whites, but more important is a range of tones in between. However, this isn't to say we should never have areas of black or white.

A look at the old black and white photographs of the masters, like Ansel Adams and Irving Penn, will reveal wonderfully emotive photographs full of rich blacks and detailless shadows. It seems today that we're almost scared of using blacks anymore.

In the image above, I've processed the file to intentionally produce areas of pure black. It's these blacks that give the rock face its strength and impact. Compare it to a more conventionally processed file (below) where I have endeavoured to include detail throughout.

To my mind, this is not nearly as effective as the top photo. Blacks, it would appear, can be a good thing. If you are brave enough to use them!

If you're interested in joining me and Tony Hewitt in the USA, keep an eye on these newsletters as we're working on our next trip for February or March next year. Optionally, email Kim (This email address is being protected from spambots. You need JavaScript enabled to view it.) and ask her to add you to the list and we'll let you know once the details are finalised. We're thinking about Yellowstone!

S5 Box

Login

If you're having trouble logging in, you might be on the wrong site! To see your subscriptions, log in at: www.betterphotographyeducation.com.

S5 Register